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Color Space Uncalibrated Date/Time Mon 21 Sep 2009 09:21:17 PM EDT
 
 
 
Entering-the-Show
Entering-the-Show Proportional Series 52"x80", four panels, not assembled Ten-Thousand-Lives Collage/Assemblage 72"x96" eight panels Assembled-series
FBC-collection Looking-past-the-print Role-of-Reflection

Entering-the-Show

I hope I'll be able to show a more sequential view of the show, but, basically, it was a perfect set up with a practical, rational and proportional division of space and form. Some natural lighting enhanced a warm feel in a beautifully air conditioned atmosphere. The art work was also proportional to the space and location. Images led to the viewing of other images on near and distant planes. There was a geometric as well as metaphysical arrangement of each visual component: optically lyrical and demanding interaction and understanding, with endless variations on themes and design elements.
The largest of the art works was the 6'x8' assemblage of panels and collage of bar codes. The first stage of the show, the main room, after the introduction to the show in the foyer, held a matrix of images both derived from the bar code, fingerprint project and extrapolations on the theme.

 
 
 

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1. Entering-th... 2. Proportiona... 3. Ten-Thousan... 4. Assembled-s... 5. FBC-collection 6. Looking-pas... 7. Role-of-Ref... ... 9. 72 Piece...
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